ost Amazing Wild Animal Attacks #5 - Lion vs Elephant

The first thing I do is try to remember and brainstorm for the images and the things I remember most clearly because if it sits clearly in your memory it’s probably been prioritized and is most important. And so “Bare Necessities” was a big one, and “I Wanna Be Like You,” King Louie and the crumbling temple, and Kaa with his hypnotic eyes, and the boy being woozy, and me being scared. And then floating down the river and singing, and Shere Khan and the torch, and the elephants and the baby elephant. I make a big list of all that stuff, and then I look at the materials because, when you watch it fresh, you’ll connect with different things. I wanted to make sure to include all those images that I had connected to. And then I actually took a lot of cues from the way the plot unfolds the story because that was actually well done. Walt’s a great story man, and that was very different from the book. We looked at the books, too, to get inspiration. Certain things the books were better at. I like the treatment of the elephants in the books. I like the treatment of Ikki, the porcupine, I liked Raksha, the mother. So I kinda pick and choose between the two. I think me being such a fan of the material and connecting with it gave me confidence that my instincts were going to be the instincts of others like me. With that wealth of information, how did you tread through it and not let it overwhelm your vision for “The Jungle Book”? They say a book is like designing a boat, and a screenplay is like designing an airplane. It has to lift. Once you hit the end of that runway, the thing has to take off. And if it doesn’t fly under its own engineering, it falls apart. So there are certain rules you have to stick by. You have to keep the pace at a certain rhythm, you have to have the right mixture of emotion and tone, and once you lock into that you could get clues from other movies. Honestly, as much as we looked at “Jungle Book,” we looked at “Bambi,” we looked at “Pinocchio,” we looked at “The Lion King.” For the PG version, we made, there were more clues in those films than there were in “The Jungle Book” for how to present it, because we always found ourselves tonally: a little too young, a little too humorous.